Parks And Recreation (2009–15)

Parks And Recreation (2009–15)

An homage to Parks and Recreation (2009–15) and an exploration of how the show evolved as a traditional network sitcom in a post-network era. This deep dive into the series highlights the new norm of digital fandom, where social media has become a means for fans to engage with the series beyond its runtime. While the media landscape evolved, so did American sociopolitical discourse; Holladay examines the series contained entirely within Barack Obama’s presidency as it reflects the role of politics in American life on a micro scale.

Parks And Recreation 2009–15

Parks And Recreation 2009–15

For a show that was initially pitched as a spin-off of the US version of The Office (2005–13), Parks And Recreation (2009–15) did a lot more than poke fun at the ludicrousness of local government bureaucrats. Through its main character Leslie Knope – played by Amy Poehler – it created an accidental feminist icon with a woman who was smart, unapologetically earnest, ambitious, loyal, nerdy, progressive and sweet all rolled into one. These were character traits that were previously used (and frequently) to define female foils in film and television – see Kimberley (Cameron Diaz) in My Best Friend’s Wedding (1997) – yet such was the strength of the series writing and the strength of Poehler’s portrayal that Knope morphed into something even the creators Greg Daniels and Mike Shur admitted they “never intended”.

In modern times, you know a character has reached feminist icon pop culture status if they end up on Etsy. That is to say, mugs, t-shirts, crochet wall-hangings, badges and more all with the likeness of said character and usually one of their more famous quotes. Leslie Knope hit that marker at specific point in Parks and Recreation’s seven-season, 125-episode run. Namely, with the tenth episode of the second season ‘Hunting Trip’ (2009) where Leslie pushes to have the marginalised in the office – including herself – join Ron (Nick Offerman), Jerry (Jim O’Heir) and Mark (Paul Schneider) on their annual boys hunting trip. Originally dismissive and more than a little sexist about her attendance and ability to hunt, Ron and the others are surprised to learn Leslie is an efficient hunter. In fact, more efficient than they are.

Guys love it when you can show them you’re better than they are at something they love,” she says, beaming, directly to the camera in the mockumentary style of the show. The joke, of course, is they don’t “love” that and Leslie is either oblivious to this fact or hopeful that a woman’s ability doesn’t equate to a man’s inability. “We teach girls to shrink themselves, to make themselves smaller,” said prominent feminist Chimamanda Ngozi Adichie in a speech that was later sampled by Beyoncé on her track Flawless. “We say to girls, you can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise, you would threaten the man.”

Leslie Knope never does that and interlocked with this idea of who the character is Poehler’s real-life persona. As one of the first female cast members to find mainstream success off the back of Saturday Night Live (1975–present), she navigated her way through one of Hollywood’s most prominent boys clubs just like Leslie had to navigate her way through the boys club of politics (and the boys club of the specific episode, where the men feel threatened and emasculated by the fact a bubbly blonde is better at taking down quail with a rifle than they are). One of the ways Poehler did this is through foundational female friendships with fellow SNL alumni and frequent collaborators like Tina Fey, Maya Rudolph and Rachel Dratch. Foundational female friendships were also seminal to Leslie succeeding both professionally and personally, namely Ann (Rashida Jones), April (Aubrey Plaza), and Donna (Retta). And Poehler, just like Leslie, never shied away from speaking about her beliefs in her work: from the “bitches get stuff done” SNL moment to launching Smart Girls, an initiative designed to support and young women.

The series follows the career and personal life of Leslie Knope (Amy Poehler), a self-possessed, midlevel bureaucrat whose initial ideology reflects the optimistic tone of politics ushered in with Obama’s campaign and early presidency. Throughout its run, Parks and Recreation engaged with political debates simmering in American culture, offering a humorous ripped-from-the-headlines take on issues such as same-sex marriage, distrust of politicians, government shutdowns, and corporate bailouts Through compelling analysis, Holladay untangles representations of women and BIPOC in the series as they engage with contemporary discourse surrounding media and identity politics.

Parents need to know that teens who watch Parks and Recreation will find a mockumentary-style sitcom from the creators of The Office with adult-oriented humor when it comes to sexual content, alcohol, and language (including a little bleeped swearing).

Parks never produced amazing ratings, but during its first few seasons, it often outperformed whatever show NBC put in front of it. It earned its very first renewal after it managed to do just a little better among young viewers than initial lead-in My Name Is Earl.

Parks and Recreation is one of the best sitcom’s! The shows characters are a bit tough to like right off the bat but once you watch the show you grow to like all the characters they are all hilarious!

Why did Parks and Rec get canceled?

Parks and Recreation started and ended with shorter seasons. The reason for this was intentional, and not a result of the network canceling the series. Schur and Poehler both agreed that Leslie’s story had reached its natural conclusion for the premise of the series.

Why was season 1 of Parks and Rec so bad?

Among the many critics it got were that season 1 was too predictable, slow-paced, lacked character development, and Leslie Knope was a female version of Michael Scott. Certainly, the Leslie that made it to the series finale is very different from the one introduced in season 1.

Is Parks and Rec like Brooklyn 99?

Parks and Rec is like Brooklyn Nine-Nine’s older sibling. The staff of the Pawnee Indiana Parks and Recreation department is the primary focus of this show. The uses the mockumentary style made famous by The Office and sees Leslie Knope (Amy Poehler) as the lead in this stellar ensemble cast.

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